Uncle Paul's Jazz Closet
Theme:
Gary Peacock & Paul Motian Part 6
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Gary Peacock, center, others unknown 1997 On the Road photo: Paul Motian |
Marilyn Crispell
Voices From the Past- Paradigm | Ode for Tomten (Gary Peacock ) | 1981 | ECM | Gary Peacock b, Jan Garbarek s, Tomasz Stanko t, Jack deJohnette d |
Amaryllis | M.E. (Paul Motian) | 2001 | ECM | Marilyn Crispell piano; Gary Peacock double- bass; Paul Motian drums |
When Will the Blues Leave | I Loves You, Porgy (Gershwin) | 2019 rec. 1999 | ECM | Paul Bley piano; Gary Peacock double-bass |
The Windmills of Your Mind | I Loves You, Porgy (Gershwin) | 2011 | Winter & Winter | Thomas Morgan bass; Paul Motian drums; Petra Haden vocals; Bill Frisell guitar |
Amaryllis | Morpion (Paul Motian) | 2001 | ECM | Marilyn Crispell piano; Gary Peacock double- bass; Paul Motian drums |
In Motion | Isle of Nowhere (Crispell/Poole/Peacock) | 2016 | Intakt | Marilyn Crispell piano; Gary Peacock bass; Richard Poole drums |
Paul Bley with Gary Peacock | Gary (Annette Peacock ) | 1970 rec. 1968 | ECM | Paul Bley piano; Gary Peacock bass; Billy Elgart drums |
In Motion | In Motion (Crispell/Poole/Peacock) | 2016 | Intakt | Marilyn Crispell piano; Gary Peacock bass; Richard Poole drums |
Nothing Ever Was, Anyway | Ending (Annette Peacock ) | 1997 | ECM | Marilyn Crispell piano; Gary Peacock double- bass; Paul Motian drums |
Turning Point | Mr. Joy (Annette Peacock) | 1975 rec.1964 | Improvising Artists | Paul Bley piano; Gary Peacock bass; John Gilmore tenor sax; Paul Motian drums |
2nd Hour | ||||
Amaryllis | Amaryllis (Marilyn Crispell) | 2001 | ECM | Marilyn Crispell piano; Gary Peacock double- bass; Paul Motian drums |
In Motion | Gary’s Theme (Crispell/Poole/Peacock) | 2016 | Intakt | Marilyn Crispell piano; Gary Peacock bass; Richard Poole drums |
Pharaoh Sanders In the Beginning 1963-1964 | Ictus (Carla Bley) | 2012 rec. May 1964 | ESP Disk | Paul Bley piano; David Izenzon bass; Pharaoh Sanders tenor sax; Paul Motian drums |
Mr. Joy | Touching (Annette Peacock ) | 1968 | Limelight | Paul Bley piano; Gary Peacock bass; Billy Elgart drums |
Nothing Ever Was, Anyway | Touching (Annette Peacock ) | 1997 | ECM | Marilyn Crispell piano; Gary Peacock double- bass; Paul Motian drums |
Not Two, Not One | Fig Foot (Paul Bley) | 1999 | ECM | Paul Bley piano; Gary Peacock bass; Paul Motian drums |
Live 1999 Satiricon Theatre Essen, Germany | When Will the Blues Leave (Ornette Coleman) | 1999 | Unreleased | Paul Bley piano; Gary Peacock bass; Paul Motian drums |
When Will the Blues Leave | Longer (Paul Bley) | 2019 rec. 1999 | ECM | Paul Bley piano; Gary Peacock double-bass; Paul Motian drums |
Not Two, Not One | Don’t You Know (Bley/Peacock ) | 1999 | ECM | Paul Bley piano; Gary Peacock bass; Paul Motian drums |